Rohan De Silva

Rohan SilvaRohan De Silva has partnered with violin virtuoso Itzhak Perlman in worldwide recitals, and with every notable violinist on the concert stage today. He has performed at Carnegie Hall, Lincoln Center, the Kennedy Center, the Library of Congress, Concertgebouw in Amsterdam, Wigmore Hall in London, and Suntory Hall in Tokyo, and at the White House, at the invitation of President Barack Obama in 2012 for Shimon Peres, and at the State Dinner in 2007 hosted by President George W. Bush for Queen Elizabeth. A native of Sri Lanka, De Silva was invited in 2015 by the Prime Minister of his country to perform for U.S. Secretary of State John Kerry on his historic visit to Sri Lanka. In the 2016/2017 season, De Silva performed with Itzhak Perlman in recitals that took them across North America, including Lyric Opera of Chicago, Kravis Center of West Palm Beach, Nashville’s Schermerhorn Symphony Center, and San Francisco’s Davies Symphony Hall. In 2015/2016 season, De Silva toured with Perlman in sold-out concerts throughout Asia and to Europe in their first appearances as a duo in London (Barbican Centre), Paris (Philharmonie de Paris), and Munich (Gasteig).

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Hsin-I Huang

Hsin-I HuangQuickly becoming recognized as today’s most sought after collaborative pianist, Hsin-I has collaborated with many artists such as Margaret Batjer, Andrew Shulman, Sheryl Staples, Chee-Yun Kim, William Hagen, Simone Porter, Blake Pouliot, Jacob Braun, and members of LA Philharmonic. She has performed throughout the U.S., Canada, Taiwan, Korean, Japan, Germany and Russia. In September 2017, she recorded her first album with violinist Blake Pouliot for the Canadian label Analekta Records, which will be released in early 2018. Passionate about constantly growing as an artist and helping others grow, she regularly collaborates with students in master classes of Robert Lipsett at the Colburn School of Music.

Hsin-I has made guest appearances at such venues as LA Philharmonic Chamber Music, Aspen Music Festival, Ravinia BGH Classics series, La Virée Classique OSM, Fête de la Musique Mont Tremblant, NPR’s Performance Today, Sundays Live at LACMA, South Bay Chamber Music Society, and Innsbrook Institute.

Hsin-I is also an accomplished cellist, winning many National competitions in Taiwan before completely focusing on collaborative piano.

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Chee-Yun Kim

Kim, Chee-YunWinner of the 1989 Young Concert Artists International Auditions and the 1990 Avery Fisher Career Grant, Chee-Yun performs regularly with the world’s foremost orchestras, including the Philadelphia Orchestra, the London Philharmonic, and the Toronto, Houston, Seattle, Pittsburgh and National symphony orchestras. Additionally, she has appeared with the Atlanta Symphony, and the St. Paul Chamber Orchestra, and has performed with such distinguished conductors as Hans Graf, James DePriest, Jesus Lopez-Cobos, Michael Tilson Thomas, Krzysztof Penderecki, Neeme Järvi, Pinchas Zukerman, Manfred Honeck and Giancarlo Guerrero. Internationally, Chee-Yun has toured with the Haifa Symphony, the Hong Kong Philharmonic, Germany’s Braunschweig Orchestra and the MDR Radio Leipzig and performed with the St. Petersburg Camerata, the Bamberg Philharmonic, the Bilbao Symphony, the London Festival Orchestra, the Nagoya Philharmonic, and the KBS Symphony Orchestra. Her orchestral highlights include a concert with the Seoul Philharmonic conducted by Myung-Whun Chung that was broadcast on national network television, a benefit for UNESCO with the Orchestra of St. Lukes at Avery Fisher Hall, and her tours of the United States with the San Francisco Symphony (Michael Tilson Thomas conducting), and Japan with the NHK Symphony. Recent and upcoming engagements include return subscription weeks in Pittsburgh and Jacksonville, as well as the Colorado and Austin symphony orchestras and the National Philharmonic.

As a recitalist, Chee-Yun has performed in many major US cities including New York, Chicago, Washington, Los Angeles, San Francisco and Atlanta. Career highlights include appearances at the Kennedy Center’s “Salute to Slava” gala honoring Mstislav Rostropovich, the Mostly Mozart Festival’s tour to Japan, a performance with Michael Tilson Thomas in the inaugural season of Carnegie Hall’s Zankel Hall, and the US premiere of the Penderecki Sonata No. 2 with pianist Barry Douglas. Other recent highlights include recitals in St. Paul, Buffalo, Washington, DC, Omaha and Scottsdale, duo recitals with cellist Alisa Weilerstein and a performance at the American Ballet Theatre’s fall gala. Firmly committed to chamber music, Chee-Yun has toured with “Music from Marlboro” and appears frequently with Spoleto USA, a project she has been associated with since its inception. Additional chamber music appearances include the Ravinia, Aspen, Bravo! Vail Valley, La Jolla, Caramoor, Green Music, Santa Fe and Bridgewater festivals in the US, the Great Mountains Music Festival in South Korea, the Clandeboye Festival with Camerata Ireland in Northern Ireland, the Opera Theatre and Music Festival in Lucca, Italy, the Colmar Festival in France, the Beethoven and Penderecki festivals in Poland and the Kirishima Festival in Japan.

Chee-Yun has received exceptional acclaim as a recording artist since the release of her debut album of virtuoso encore pieces in 1993. Her recent recording of the Penderecki Violin Concerto No. 2 on Naxos was acclaimed as “an engrossing, masterly performance” (The Strad Magazine) and “performance of staggering virtuosity and musicality” (American Record Guide). Her releases on the Denon label include Mendelssohn’s E Minor Violin Concerto, Vieuxtemps’ Violin Concerto No. 5, Lalo’s Symphonie Espagnole, and Saint-Saëns’ Violin Concerto No. 3, with the London Philharmonic under the direction of Maestro Lopez-Cobos, a disc of three French violin sonatas (Debussy, Saint-Saëns and Fauré), and the violin sonatas of Szymanowski and Franck. Her most recent Denon disc features the violin sonatas of Brahms and Strauss. Two compilation discs, Vocalise d’amour, and The Very Best of Chee-Yun, feature highlights of Chee-Yun’s earlier recordings. In 2007, Chee-Yun recorded the Beethoven Triple Concerto with Camerata Ireland, pianist Barry Douglas and cellist Andrés Diaz, for Satirino Records. In 2008, Decca/Korea released “Serenata Notturno,” an album of light classics that went platinum within six months of its release.

Chee-Yun has been heard frequently on National Public Radio’s Performance Today and on WQXR and WNYC radio in New York City. She has also been featured on KTV, a children’s program on the cable network CNBC, Garrison Keillor’s “A Prairie Home Companion”, on Public Radio International and numerous syndicated and local radio programs across the United States and abroad. She has appeared on PBS as a special guest on Victor Borge’s Then and Now 3, in a live broadcast at Spivey Hall in Atlanta concurrent with the Olympic Games, and on ESPN performing the theme for the X Games. In Fall 2009, she also appeared in an episode of HBO’s hit series, “Curb Your Enthusiasm.”

Chee-Yun’s first public performance at age 8 took place in her native Seoul after she won the Grand Prize of the Korean Times Competition. At 13, she came to the United States and was invited to perform the Vieuxtemps Concerto No. 5 in a Young People’s Concert with the New York Philharmonic. Two years later, she appeared as soloist with the New York String Orchestra under Alexander Schneider at Carnegie Hall and the Kennedy Center. In 1989, she won the Young Concert Artist’s international competition, and a year later became the recipient of the prestigious Avery Fisher Career Grant. In Korea, Chee-Yun studied with Nam Yun Kim. In the United States, she has worked with Dorothy DeLay, Hyo Kang, Daniel Phillips and Felix Galimir (chamber music) at The Juilliard School.

In addition to her active performance and recording schedule, Chee-Yun is a dedicated and enthusiastic educator. She gives master classes around the world and has held several teaching posts at notable music schools and universities. Her past faculty positions have included serving as the resident Starling Soloist and Adjunct Professor of Violin at the University of Cincinnati College-Conservatory of Music and Visiting Professor of Music (Violin) at Indiana University School of Music. In August 2007, she was appointed Artist-in-Residence and Professor of Violin at Southern Methodist University in Dallas.

Chee-Yun plays the Stradivarius “Ex-Strauss” (Cremona, 1708), which is on loan through the generous efforts of the Samsung Foundation of Culture of Korea and the Stradivari Society of Chicago, Illinois.

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Fabiola Kim

Kim, FabiolaHailed by the New York Times as “a brilliant soloist,”“…played with extraordinary precision and luminosity,” violinist Fabiola Kim is one of the most dynamic players of her generation with a wide variety of repertoire from classical to contemporary music. Recently, She played a cycle of complete Beethoven sonatas for Piano and Violin at Seoul Arts Center with pianist, Daejin Kim. After beginning her studies at the age of four, she made her concerto debut with the Seoul Philharmonic Orchestra just three years later. Ms. Kim is the winner of various awards and competitions, including the Seoul Philharmonic Orchestra’s Concerto Competition as the youngest competitor in the history of the competition to win.

Since then, she has won the Aspen Music Festival Violin Concerto Competition, Livingston Symphony Orchestra Young Artists Concerto Competition, the Kumho Prodigy Music Award, an award given to the most promising young musicians in Korea, and was a prize winner at Corpus Christi International Competition and the Irving M. Klein International Competition for Strings. She has collaborated with conductors such as Alan Gilbert, Jane Glover, Gilbert Varga, and Nicholas McGegan. Her past solo performances include engagements with the Seoul and Suwon Philharmonics; The Juilliard Orchestra, Aspen Philharmonia, the Kangnam, Korean, Broward, and Prime Symphony Orchestras; the Livingston Symphony; Koln Chamber Orchestra; North Czech Philharmonic Orchestra; the American Academy of Conducting at Aspen, Orquestra Sinfonica OSUANL, the Budapest Symphony Orchestra MAV, West Deutsche Sinfonia, Colburn Orchestra and the Hofer Sinfoniker. She has played solo engagements at festivals like Merano Festival and Bruckner Festival.

In addition to her solo engagements, Ms. Kim has a passion for orchestral repertoire, has been featured on the radio, and plays outreach concerts. She regularly performs as concertmaster of the Colburn Orchestra and served as concertmaster of Juilliard Orchestra. In addition, she was concertmaster for the New York String Orchestra Seminar in 2012. Her outreach concerts have taken her all over New York, and she has participated in a week-long residency at Juilliard in Aiken in South Carolina. Her radio appearances have been featured on NPR’s From the Top and The Young Artists Showcase on WQXR New York.

An avid Chamber Musician, she has collaborated and performed with renowned musicians such as Cho-Liang Lin, Paul Neubauer, Frans Helmerson, Roberto Diaz and Ida Kavafian at festivals like Ravinia Steans Institute and La Jolla Music Society Summerfest. As a fellowship student, Ms. Kim has been accepted to the Ravinia’s Steans Institute, Ishikawa Music Festival in Japan, the Courchevel Music Festival in France, and the Aspen Music Festival and School in Colorado; she has also taken part in the London Masterclasses and the Mozarteum Summer Academy where she took master classes with Gyorgy Pauk, Zakhar Bron and Vadim Gluzman.

Ms. Kim’s concerts have taken her all across the globe, as she has performed throughout North America, Mexico, Europe, Japan, and South Korea, performing at well known venues such as Carnegie Hall, Avery Fischer and Alice Tully at Lincoln Center, the Seoul and Kumho Arts Centers, the Kimmel Center, the Church of St. Martins in the Fields, and the Auditorium Conciliazione.

Born into a musical family, Ms. Kim has a special relationship with The Juilliard School, where her parents first met as students. She is herself a recent Bachelor and Master of Music recipient of Juilliard under the tutelage of Sylvia Rosenberg and Ronald Copes. Her former teachers and mentors include Kyung Wha Chung, Namyun Kim and Choong-Jin Chang.

She is now pursuing her Artistic Diploma at the Colburn School with Robert Lipsett.

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Henry Kramer

Henry KramerThe winner of the Second Prize at the 2016 Queen Elisabeth Competition and the 2015 William Petschek Recital Debut Award from The Juilliard School, pianist Henry Kramer is establishing himself as one of the most exciting American musicians of his generation. His performances have been praised by critics as “triumphant” and “thrilling” (The New York Times), and “technically effortless” (La Presse, Montreal). A Maine native, Mr. Kramer has also earned top prizes in the 2015 Honens International Piano Competition, the 2011 Montreal International Music Competition, and the 6th China Shanghai International Piano Competition. He was a laureate of the 2017 American Pianist Association Awards, prizewinner in the 8th National Chopin Competition in Miami, and received the 2014 Harvard Musical Association Arthur Foote Award. He is a winner of Astral’s 2014 National Auditions.

Henry has been invited to play with orchestras across the globe including the National Belgian Orchestra, Brussels Philharmonic, Calgary Philharmonic, Shanghai Philharmonic, Bilkent Symphony Orchestra in Ankara, Turkey, the Portland (Maine) Symphony Orchestra, the Orchestre Métropolitain du Montreal, and the Yale Philharmonia.  He has soloed under the batons of preeminent conductors Marin Alsop, Jan Pascal Tortelier, and Stéphane Dénève. In recent seasons, Mr. Kramer was featured in Beethoven’s Piano Concerto No. 3 with the National Orchestra of Belgium and Hans Graf, in Brahms’ Piano Concerto No. 1 with the Orquesta Sinfónica Nacional in the Dominican Republic, Ravel’s Concerto in G with Gerard Schwarz and the Indianapolis Symphony, and Beethoven’s Piano Concerto No. 4 with Symphony in C.

Mr. Kramer has been a guest performer in recitals at Portland Piano International (Oregon), The Cliburn Foundation, and the National Chopin Foundation in Miami and in important venues like Carnegie Hall (Zankel and Wiell), the Concertgebouw in Amsterdam, Queen Elizabeth Hall in Antwerp (Belgium) and BOZAR in Brussels.  Deeply committed to the chamber music repertoire, he has been featured in performances at Lincoln Center, and has participated in the Steans Institute at the Ravinia Festival, La Jolla Music Society’s Summerfest, Music@Menlo’s International Program, and the Verbier Festival Academy, where he was awarded the Tabor Prize in piano. He appeared on Ravinia’s Steans Music Institute tour, which included performances at Boston’s Isabella Stewart Gardner Museum and New York’s Morgan Library, as well as an unprecedented appearance in Havana, Cuba, as a cultural ambassador. This past summer, Mr. Kramer performed in the Orchestra of St. Luke’s Resonance Festival dedicated to the works of Schubert and also at the Salon Chamber Music Festival in Provence where he shared the stage with prominent members of the Berlin Philharmonic including Emmanuel Pahud and Daishin Kashimoto.

Mr. Kramer holds both a Master’s and a Bachelor’s degree from The Juilliard School and an Artist Diploma from the Yale School of Music where he received the Charles S. Miller Prize for the most outstanding first-year pianist. He is currently finishing his doctorate degree at the Yale School of Music.  He has been the visiting artist in piano at Smith College and currently is Associate Professor of Piano at the University of Missouri Kansas City Conservatory of Dance and Music. His musical mentors have included Julian Martin, Robert McDonald, and Boris Berman.   His first commercial recording dedicated to the Oratorio Transcriptions of Liszt was recently released on the NAXOS label.  Learn more at henrykramerpiano.com.

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David Fung

_DSC99991Praised for his “ravishing and simply gorgeous” performances in The Washington Post, pianist David Fung is widely recognized for interpretations that are elegant and refined, yet intensely poetic and uncommonly expressive.  Mr. Fung regularly appears with the world’s premier ensembles including the Cleveland Orchestra, the Israel Philharmonic Orchestra, the Israel Symphony Orchestra, the Los Angeles Chamber Orchestra, the National Orchestra of Belgium, the National Taiwan Symphony Orchestra, the New Japan Philharmonic Orchestra, the Saint Paul Chamber Orchestra, the San Diego Symphony Orchestra, the San Francisco Symphony, and the Tampere Philharmonic Orchestra, and with the major orchestras in Australia, including the Melbourne Symphony Orchestra, the Queensland Symphony Orchestra, and the Sydney Symphony Orchestra.

As a recitalist and chamber musician, Mr. Fung is a frequent guest artist at prestigious festivals and venues worldwide.  Festival highlights include performances at the Aspen Music Festival, Blossom Music Festival, Caramoor, Edinburgh International Festival, Hong Kong Arts Festival, the Ravinia Festival, and Tippet Rise.  At his Edinburgh International Festival debut, the Edinburgh Guide described Mr. Fung as being “impossibly virtuosic, prodigiously talented… and who probably does ten more impossible things daily before breakfast.”  In recent seasons, he has performed at the Kennedy Center, Lincoln Center, Carnegie Hall’s Weill Hall, the Louvre Museum, the Palais des Beaux-Arts in Brussels, the National Concert Hall in Taiwan, and the Zürich Tonhalle, and he gave a recital tour in China at all the major venues including the Beijing Concert Hall, Shanghai Oriental Art Center, Guangzhou Opera House, and the Tianjin Grand Theater.


Cellist Nathan Chan discovered his talent for music at an early age through conducting. Before he was two, he could emulate the styles of conductors he saw on music videos such as Seiji Ozawa, Herbert von Karajan and Leonard Bernstein, using a chopstick as a 019
baton. As a toddler, his imitations were so intuitively musical that he caught the attention of San Francisco Opera Assistant Conductor Sara Jobin. Under her eye, he made his debut as a conductor at age three, leading the San Jose Chamber Orchestra in a set of Mozart variations, despite not yet being able to read music. This was followed by a guest appearance with the Palo Alto Philharmonic a year later, conducting the first movement of Beethoven’s Fifth Symphony. Initially drawn to the sounds of low strings, he began formal music lessons with cellist Irene Sharp at age five. He later studied with Sieun Lin at the San Francisco Conservatory of Music.

Nathan is a strong proponent of using technology and media to attract others into the classical world and is committed to his fast growing Internet presence; to date, he has over 7 million views on YouTube. He recently joined the Seattle Symphony as their new Third Chair Cello.

Nathan received his Bachelor of Arts Degree in Economics at Columbia University and his Masters of Music with Richard Aaron at The Juilliard School.

Michael Casimir

casimir-360x240Michael Casimir was a winner of the Laureate Award in 2015, 2011 and 2008 International Sphinx Competitions, and winner of the grand prize at the Hudson Valley Philharmonic Competition in 2013. He has guested as Principal, and Co-Principal of the London Philharmonic and is one of the newest members of the viola section in the St. Louis Symphony. While still at Curtis, Michael performed regularly with the New York Philharmonic, Philadelphia Orchestra and Orpheus Chamber Orchestra. Michael acquired his undergraduate degree from the Juilliard School as a student of Heidi Castleman and Misha Amory and his post-baccalaureate degree from The Curtis Institute of Music in May of 2018 under the tutelage of Roberto Diaz, Hsin-Yun Huang and Ed Gazouleas.